In the face of an apocalypse, we all need a safe house. A place for sanctuary; not to hide, but to claim for our own. On his new album, South London’s unlikely bluesman Duke Garwood has found the perfect place for us all, and says it’s time to meet in the Garden of Ashes.
“In a world so full of pain and madness we need to be better than ever; to evolve not devolve. To become masters of our fate and stop listening to the snake talkers who would steal our last breath. It’s time to go Elvis and shoot the cursed TV” says Duke.
On his sixth album Garden Of Ashes, Duke Garwood’s message is that the only way to fight anguish is with positivity. “I make beautiful music, because we don’t need angry music right now. Everyone can turn on the TV and see the horror show, they don’t need to hear it coming out the stereo. I’m trying to distill this frustrating feeling we all have right now into something more focused.”
Whilst last year’s Heavy Love thrust Duke into the spotlight with well long-overdue praise for its clarity and the “mad blues” charisma of a musician at his 20-year career peak, Garden of Ashes takes it all up a level, higher than many would think possible.
Whilst fans, fellow artists and collaborators including Josh T. Pearson, Tinariwen, Mark Lanegan, Kurt Vile, and Savages’ Jehnny Beth all marvelled at Heavy Love and its depiction of an artist who has always cut his own groove, Garden of Ashes is equally doused in magnetising imagism
“I was inspired to follow Heavy Love with a warm bath of honey for the soul. It’s a stare down to the beast of hate trying to take over our garden. Time for Man to be the beautiful warrior and stand up for his loves,” Duke says.